Monstrous Mythology Essay Example | Topics and Well Written Essays - 1500 words

Monstrous Mythology - Essay Example A monster when defined through literal terms comes from a Latin word 'Monstrum' which means an indication of what is yet to come, however, the Romans usually used this word to describe a series of unusual occurrences. It is very important for us to acknowledge the apparent relationship between the mythological notion of monstrous and the representation of it in the contemporary culture. The contemporary culture has adopted the mythological existence of monsters mostly through visualization or imagery which serves as a possibility inside human minds regarding the existence of these creatures. Mythology has well preserved the concept of monstrous which holds two attributes for their identification, one of which is that they are not human beings and the other saying that they are an evil force with their distinct objectives to kill humans. (Monster mythology, Carl Sargent, Pg 12-15) Classical mythology has a deep significance in the representation of what really a monster is with all the description that has something or the other constituting an animalistic nature. It is believed that the monsters in classical mythology usually existed either in the form of humans with unnatural attributes or absurd creatures that are part human and part animal. According to classical mythology, monsters were the creatures that violated the cultural values and norms and had their own inhumane and cruel motives. Myth makers and fiction writers have created many monsters but we cannot look through the deep-rooted significance of myth making itself and how it describes the appearance of the monster and the extent of its cruelty, for instance the people in New Guinea promoted a myth that involves monster traits such as shape transformation, inhumane union, thirst for blood and human flesh and other forms of cannibalism. Moreover, Greek Mythology has many relevant monstrous illustrations which prominently include the Stymphalian and evil birds in the Hercules period. (Classical mythology, Helen Morales, Pg 110-116) Monsters according to a culture can be the evil force that has all the wrong and manipulative objectives and perhaps this is why people following distinct cultural and moral values consider people who end up doing or even start believing in evil/malicious paths as the monsters or demons regardless of how a typical horror monster may look like. Classical mythology has preserved monsters time and time again such as the Cerberus, Centaurs, Chimaera, Medusa, Cyclopes, hydra etc. Below is an image of a monstrous creature in Norse mythology which was in the form of a savage wolf named 'Fenrir'. All these monsters were either humans or with a body or skull of an animal which depicts brutality and a hunger for blood gushing inside human bodies. Mythology as an explanation to monstrous creatures that once existed suggests that these creatures were perhaps a translation as to what fear is inside human minds or more like the image of fear and horror. Moving ahead it is extremely notable to understand the human psychology and how they perceive the monsters that they see on television screens or read and imagine about, it is believed that monsters are

Prehistoric Art Essay Example | Topics and Well Written Essays - 1750 words

Prehistoric Art - Essay Example During 1940, four teenagers discovered the wealth of artistry within these caves (Lascaux 2007). According to Cornwell, "the cave was evidently a sanctuary for the performance of sacred rites and ceremonies." Lascaux contains the earliest traces of man's civilizations and holds the key in unlocking the prehistoric period. To date, it is estimated that the paintings on its walls totals around 20, 000. Because of its age, many of the images are hardly discernable while the others have deteriorated. The caves feature realistic images of large animals which are believed to have thrived within the area thousands of years ago. Among these paintings are animals called aurochs which, according to fossil evidence have lived in France during the period. The largest portion of the paintings is identified to be animals like horses, stags, cattle, and bison, while there are also drawings of geometric figures. Non-figurative images are speculated by one researcher to be illustrations of the night sky as the painted dots correlate with various constellations (Lascaux 2007). Aside from the illustrations of animals which thrived during the period, Lascaux is also said to house the "one of the humanity's earliest narrative compositions" (Virtual Realities n.d.). The writer described this particular scene: "Almost cartoonlike in appearance, it shows a man with the face (or mask) of a bird, engaged with an apparently fatal disagreement with a wounded bison. As the bison uses its head and horns as a weapon, the man falls stiffly back, apparently to his death" (Virtual Realities n.d.) Thus, Lascaux does not only depict the different players in the early civilization but expresses stories which have not been put in words by ancient man. The Altamira in Spain is another famous haven for prehistoric art. Like the Lascaux, Altamira is a cave which features drawings and polychrome rock paintings of wild animals and human hands. Because of its perceived importance in understanding the civilization of man, the UNESCO declared Altamira as a World Heritage Site (Altamira 2007). The 270 meter cave is comprised of twisting passages and chambers. The formation of the cave is due to the "collapses following early karstic phenomena in calcerous rock of Mount Vispieres" (Altamira Cave n.d.). Excavations on the site reveal two levels of archeological levels; one belongs to the Solutrean and the other to the Magdalenian. The Solutrean culture is said to have been formed from the occupation in the cave around 18, 500 years ago. Aside from the paintings, artifacts have also been excavated from this civilization. The Magdalenian period dates back 15, 500 and 14, 000 years ago (Altamira Cave n.d.). The most famous of area in the cave is known as the Ceiling of the Polychromes. This features superimposed paintings and engravings the most prominent of which shows herd of bison in different poses, two horses, a large doe and a possible wild boar (Altamira 2007). In addition are numbers of more indiscernible figures of what seems to be an elk and "a series of enigmatic signs and red stains appearing in direct contrast with other figures that have clearly been superimposed." This art are traced to the Magdelenean occupation. On the other hand, these red painting inside the